by Josh Hertz | May 9, 2015
Jack Sparrow races to recover the heart of Davy Jones to avoid enslaving his soul to Jones’ service, as other friends and foes seek the heart for their own agenda as well. After their experience with motion-capture technology in Pirates of the Caribbean: The...
by John Hannon | May 9, 2015
2008 Academy Award® Nomination for Best Achievement in Visual Effects 2008 BAFTA Award Nomination for Best Visual Effects
by John Hannon | May 9, 2015
Survivors must fight for their lives when the luxury ocean liner Poseidon capsizes after being swamped by a rogue wave. Size Matters. Director Wolfgang Petersen wanted to film a 200-foot wave capsizing a 1,200-foot cruise ship and aimed to build the shot in a way that...
by John Hannon | May 9, 2015
Led by VFX legend Dennis Muren and Scott Farrar, ILM sought to create the insidious Rogue City using a combination of practical and CG effects. Utilizing a commercial game engine, ILM developed the first real-time on-set pre-visualization system, allowing director...
by John Hannon | Feb 27, 2015
The brash James T. Kirk tries to live up to his father’s legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time. As always, ILM was sensitive to the director’s...
