The ILM visual effects supervisor speaks on ILM’s contributions to the blockbuster film that brought Marvel’s First Family into the Marvel Cinematic Universe.
Lucasfilm announces the full cast for the Star Wars feature directed by Shawn Levy and coming to theaters in May, 2027.
Learn the inspiring story of a group of dedicated ILM and Lucasfilm employees who turned their dreams into a reality....
New details from ILM's new 50th anniversary book written by Ian Failes have been unveiled.
Celebrating Ten Years of Immersive Entertainment at ILM
ILM visual effects supervisors Mohen Leo and Scott Pritchard, along with members of their talented crew, discuss the process behind building the TIE Avenger as it journeyed from concept to screen.
The final part of ILM.com's discussion with Andor's overall visual effects producer and production visual effects supervisor covers the influence of Rogue One, collaborating with Tony Gilroy, their favorite moments from season two, and more.
In part one of a two-part story, the production’s visual effects producer and visual effects supervisor discuss the effort to create over 4,000 effects shots for the Emmy-nominated Lucasfilm series.
SDCC’s hottest ticket brought the first-time Comic-Con guest and friends to preview the Lucas Museum of Narrative Art, and ILM.com was there in the room.
Continuing a new series celebrating ILM’s 50-year legacy, featuring new interviews with ILM animation supervisors Rob Coleman, Mathieu Vig, and Stephen King.
The beloved Disney character can now interact with fans in a whole new way.
Teams from across ILM’s global studios are recognized for their innovative work for television this past year.
New series exploring ILM's 50-year legacy kicks off with new interviews featuring original Star Wars animator Chris Cassidy and current ILM animation supervisors Rob Coleman and Hal Hickel.
The visual effects supervisor from ILM's Vancouver studio shares insights about helping create new characters and bringing the streets of New York City to life.
Guided by visual effects supervisor John Knoll, ILM embraced continually evolving methodologies to craft breathtaking visual effects for the iconic space battles in First Contact and Rogue One.
ILM teams with Ben Stiller and Apple TV+ to bring thousands of seamless visual effects shots to the hit drama’s second season.
In the final episode of season one, Shannon Tindle and John Knoll return to Lighter Darker to discuss the much debated use of lens flares in film and animation. John talks about rejection and how to know when a project isn’t right for you. Our hosts and guests share some of their favorite lens flares and how to use the technique correctly (and incorrectly).
On this day in 1975, Industrial Light & Magic was officially signed into existence by George Lucas.
Production designer Jeremy Hindle and VFX supervisor Eric Leven join us to discuss their work on Severance season two. We discuss merging practical designs with the often invisible digital effects to create the atmosphere and environments of the Lumon world.
The second, and final, part of an extensive look behind the scenes of the visual effects production for Lucasfilm’s pirate-themed Star Wars adventure series.
